Fiction

The Gargoyle


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I wasn't quite sure what to expect from "The Gargoyle" but it came highly recommended. When I began my search for the book it spanned three genres; thriller,romance and fiction. Once I started reading the novel I couldn't put it down. The story is relayed to us from the narrators point of view and interestingly this adds to the mystery. What we do know is that the narrator is a burn victim and we the audience learn what a burn victim endures when recovering. This is the most graphic part of the book (not excessively) but as you read the story you realize that this description of the "monster" he had became is an integral part of the story. Andrew Davidson masterfully keeps the reader engaged with twists and turns that are quite unexpected and leaves you wanting more. It is a powerful story of the human condition, a timeless romance that reads like a mystery with history and present day intwined so intricately and in such a surprising way that you the reader find yourself actually wanting to believe that the story is true.  

Reader Suggested by: Cindy



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Book Jacket Summary/Synopsis - "The Gargoyle"

The nameless and beautiful narrator of The Gargoyle is driving along a dark road when he is dazzled by what seems to be a flight of arrows. He crashes into a ravine and wakes up in a burn ward, undergoing the tortures of the damned. He is now a monster. His life is over. But it is only just the beginning; one day, Marianne Engel, a bewitching sculpteress of gargoyles, walks into his room and reveals that the were once lovers in medieval Germany. In her telling, he was a badly burned mercenary and she, a nun and a scribe, nursed him back to health in the famed monastery of Engelthal. As she spins her tale, Scheherazade-fashion, and relates equally mesmerising stories of deathless love in Japan, Iceland, Italy and England, he finds himself drawn back to life- and finally, to love. The Gargoyle is an extraordinary novel that will take you on a wild and original journey. It will have you believing in love, in miracles and in redemption.

A Legacy of Honor


 

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I’m neither a war buff nor a western buff and since I hadn’t read an action story before, didn’t quite know what to expect from A Legacy of Honor by author Hank Manley. I have to admit that the cover came across “very masculine” to me and made me question whether I would be able to connect with the story and the characters.

Well I am happy to say that I did connect with both. It is a great story. The chapters are short and you feel like you are blazing through the book. The story flows nicely, keeps your attention and does a good job in setting you up for what is coming next. My friends and I discussed this book during book club and came to a consensus that this story has a “Forrest Gump” kind of feel.

The story begins with the birth of Morgan Early in the year 1900. Morgan grows to become a very good natured person and is of course very naïve in the beginning of his life. Each experience that he faces teaches him something important about life and so he quickly matures in confidence. As he grows he becomes the kind of man that you can’t help but respect.  My favorite part of the book if you can believe it, were the war scenes. They are phenomenal. I was able to vividly picture the scenes and found myself holding my breath often. I had tears in my eyes during a couple of the war scenes because the characters were so charming and likeable and it was overwhelming with what they went through. These scenes felt so realistic and got your heart racing. The author does a superb job in setting the scenes and emotions and still manages to keep you guessing. Superb action!

I give a lot of praise to the author since he was able to convey non-stop action and strong emotions in as little as a paragraph or two. He didn’t get into graphic detail, which quite frankly can unnerve some readers. Yet at the same time, was able to satiate the readers who do need detail. Great writing I thought.

 

 

Book club questions:

  1. Morgan Early was alone at such a young age. He came to learn the value of practical experiences and learned most lessons from himself. How important is it to have people teach and influence your life? What role have these people played in shaping who you are?
  2. Marshal Longstreet seemed to be the closest thing Morgan had to a father. Why do you think it is that they never reunited later in the story? Was it because the way of travel then or was it because Morgan didn’t feel that way about Longstreet?
  3. People that Morgan became close to seemed to die, at least that is what Morgan thought. Do you think as Morgan did in that these deaths are his fault? Do you think Morgan ever really stopped thinking that way?
  4. Morgan had many life altering experiences. Some good and some bad. In your opinion, how well do you think Morgan handled those situations? Would you see yourself doing things similarly? How would you have been different?
  5. Morgan said that he felt that he had to fight in the war. Could you see yourself being able to come to that decision if you knew you were needed just as Morgan was needed? 
  6. What were some of the instances where Morgan showed “out of the box” thinking, not like anyone else? Can you think of situations where you have done the same? How did the outcome affect you?
  7. What qualities are there of Morgan that you admire? What qualities do you think Morgan lacks?
  8. Who would you say was the constant companion to Morgan Early? Have you had the pleasure of such a companion? Did you appreciate the companionship or was it only after he/she/it was no longer around? 
  9. What was your overall feeling about reading this book? What were the highlights for you?  Would you have changed anything?
  10. Would you recommend this book to others? Why or why not?



Buy it now! directly from the author Hank Manley, on this website PageTurnerNovels.com.


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    Book Jacket Summary/Synopsis - "A Legacy of Honor"

    “The next pasteboard better not be an ace.” When the single spade drops, Warren Earp, brother of the famous Wyatt, is gunned down, and his pregnant girlfriend dies giving birth to his son. Morgan Early enters the world an orphan in 1900 in Wilcox, Arizona.

    Morgan is raised by a kindly widow and taught to ride and shoot by the local sheriff. A gentle nature and scholarly upbringing, seek a peaceful, meaningful life. Traveling by horseback to Colorado, Morgan’s foster mother is murdered and the heartbroken teenager seeks revenge, spilling human blood for the first time.

    Alone and facing a severe mountain winter alone, Morgan is hired on as a ranch hand. His riding skills and speed with a six-gun prove to be very valuable on the ranch and he finds himself enjoying the life he's made and the family that takes him in, that is, until a terrible accident changes everything.

    Seeking a new life, Morgan finds himself deep within Mexico fighiting for Pancho Villa’s revolution. Barely making it out alive, Morgan finds refuge on the island of Bimini. But warrior blood flows through his veins and when hearing of the German invasion, Morgan jumps at the opportunity to serve his country. His natural speed and ease with a gun earns him medals of honor but at a terrible price. Following the Great War, Morgan throws caution to the wind and becomes a successful rumrunner during Prohibition.

    With the passage of the 21st Amendment, Morgan is forced to start a new life yet again but finds love along the way. His idyllic life is interrupted when he is recalled into the Marines. Morgan trains the men of the 2nd Battalion and lands on the bloody beaches of Tarawa. His heroic life inspires his sons but with tragic results on the island of Iwo Jima and the jungles of Vietnam.

    About the Author - Hank Manley

    Hank Manley has traveled the Bahamas by boat for over thirty years. He has witnessed first hand the attempts by the Drug Enforcement Administration to control the flow of illegal drugs into Florida.

    He served in the United States Marine Corps and is intimately familiar with the weapons described in his novels.

    He has spent considerable time in the mountains of Colorado and the areas of Mexico accurately and colorfully depicted in his books.

    He lives with his wife Gretchen in North Palm Beach, Florida.

    Visit Hank Manley's web site: www.PageTurnerNovels.com

    The Host


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    This book was written by Stephanie Meyer, the author of the Twilight series.  It was written for adult reading, unlike the Twilight series, written for teen readers but I know many adults loved them, too, including me.  I also loved The Host but I tend to get into the science fiction books.  If you like science fiction with a twist of romance, you will love this one too.

    Book Suggested by: Evelyn D.

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    Mistress of Rome


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    If you enjoy historical fiction consider Mistress of Rome. This novel is about Thea, a slave girl from Judaea. She is a passionate, musical and guarded individual. Thea, purchased as a toy for the spiteful heiress Lepida Pollia, will become her mistress's rival for the love of Arius the Barbarian, Rome's newest and most savage gladiator. Arius's love brings the first bit of happiness to Thea's life but ends too quickly when a jealous Lepida stops at nothing to tear them apart.

    As Lepida continues to wreak havoc in the life of a new husband and his family, Thea transforms herself as a singer for Rome's aristocrats. Unwittingly, Thea attracts another admirer, the charismatic Emperor of Rome, Domitian. But Domitian's games have a dark side, and Thea finds herself fighting for her soul , sanity and family. Many have tried to destroy the Emperor; a vengeful gladiator, an upright senator, a tormented soldier, a Vestal Virgin. In the end, the life of the brilliant and paranoid Domitian lies in the hands of the one woman who could tear him down: the Emperor's mistress.
     

    Recommended by: Dee

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    Inner Space


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    The novel Inner Space by Merlin Fraser, marks the beginning of a trilogy, has elements of multiple genres that blend well to make a cohesive story.  There are elements of mystery starting with a murder-suicide by a prestigious British police officer.  Why does a man who has dedicated his life to enforcing the law make it his last act to break the law?  His co-worker, and friend, Nick finds the facts so improbable that he sets out to find the truth even though his investigation is against the rules.

    Inner Space has elements of romance with the introduction of a green eyed woman, Jilly, who beguiles Nick – and, against her own inclinations, is beguiled in return.  My one frustration was Nick’s repeated reference to Jilly as a “scared little girl”.  She is a competent woman who works in the academic setting.  While bemused by her unexpected attraction to him, she is definitely a grown woman.  Woman enough to keep him confused.

    The elements of science fiction are blended so well with the new age philosophy of astral projection that it doesn’t seem to be fiction.  The science is well thought out and introduced from the academic setting.  The contrast between the hero’s reality, dark and  danger filled, and the heroines’, learning centered and protected, was well done.  It is true that those in academia tend to think in straight lines without considering how their information or invention could be used in the hands of criminals. 

    The police procedures and criminal elements give the American reader insights into the day to day operations of a British police force as well as the driving force that shapes the hero.  

    No matter what genre, this book was a page turning success.  I was as confused by the action as was the leading characters.  The humor and emotional intensity kept me turning the pages to the stunning but greatly satisfying conclusion.  I thoroughly enjoyed this book and eagerly look forward to reading the authors next offering.
     

    You can visit the author's website at: www.merlin-fraser.com
    Reviewed By: Barbara tenBroek, Librarian
     

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    The Convalescent


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    A little bit Kafka, a little bit "Geek Love", The Convalescent by Jessica Anthony looks at the people living on the outside of society with an oddball tenderness and lyricism that's truly amazing. It's unpredictable and touching, romantic and skewball all at the same time. Makes you really think about what beauty is!

    Submitted by: Elizabeth Platt

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    The Catcher in the Rye


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    If you somehow got through high school without an English teacher having this book on a required reading list you've missed out on one of the greatest books ever written. Pick up a copy and get started. J.D. Salinger is a brilliant author. He will capture your imagination from the first page and take you on a literary journey you won't soon forget. Enjoy!

    Submitted by: MJ

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    Sample Chapters - Snow Flower and the Secret Fan


    Read Chapter  Sample - Prologue

    Read Chapter Sample - Chapter One

     

    SAMPLE CHAPTER

    Prologue

    Sitting Quietly

    I am what they call in our village “one who has not yet died”—a widow, eighty years old. Without my husband, the days are long. I no longer care for the special foods that Peony and the others prepare for me. I no longer look forward to the happy events that settle under our roof so easily. Only the past interests me now. After all this time, I can finally say the things I couldn't when I had to depend on my natal family to raise me or rely on my husband's family to feed me. I have a whole life to tell; I have nothing left to lose and few to offend.

    I am old enough to know only too well my good and bad qualities, which were often one and the same. For my entire life I longed for love. I knew it was not right for me—as a girl and later as a woman—to want or expect it, but I did, and this unjustified desire has been at the root of every problem I have experienced in my life. I dreamed that my mother would notice me and that she and the rest of my family would grow to love me. To win their affection, I was obedient—the ideal characteristic for someone of my sex—but I was too willing to do what they told me to do. Hoping they would show me even the most simple kindness, I tried to fulfill their expectations for me— to attain the smallest bound feet in the county—so I let my bones be broken and molded into a better shape.

    When I knew I couldn't suffer another moment of pain and tears fell on my bloody bindings, my mother spoke softly into my ear, encouraging me to go one more hour, one more day, one more week, reminding me of the rewards I would have if I carried on a little longer. In this way, she taught me how to endure—not just the physical trials of footbinding or childbearing, but the more torturous pain of the heart, mind, and soul. She was also pointing out my defects and teaching me how to use them to my benefit. In our county, we call this type of mother love teng ai . My son has told me that in men's writing it is composed of two characters. The first means pain ; the second means love . That is a mother's love.

    The binding altered not only my feet but my whole character, and in a strange way I feel as though that process continued throughout my life, changing me from a yielding child to a determined girl, then from a young woman who would follow without question whatever her in-laws demanded of her to the highest-ranked woman in the county who enforced strict village rules and customs. By the time I was forty, the rigidity of my footbinding had moved from my golden lilies to my heart, which held onto injustices and grievances so strongly that I could no longer forgive those I loved and who loved me.

    My only rebellion came in the form of nu shu , our women's secret writing. It appeared for the first time when Snow Flower—my laotong , my “old same,” my secret-writing partner—sent me the fan that sits here on my table, and then again after I met her. But apart from who I was with Snow Flower, I was resolved to be an honorable wife, a praiseworthy daughter-in-law, and a scrupulous mother. In bad times my heart was as strong as jade. I had the hidden might to withstand tragedies and sorrows. But here I am—a widow, sitting quietly as tradition dictates—and I understand that I was blind for too many years.

      Except for three terrible months in the fifth year of Emperor Xianfeng's reign, I have spent my life in upstairs women's rooms. Yes, I have gone to the temple, traveled back to my natal home, even visited with Snow Flower, but I know little about the outer realm. I have heard men speak of taxes, drought, and uprisings, but these subjects are far removed from my life. What I know is embroidery, weaving, cooking, my husband's family, my children, my grandchildren, my great-grandchildren, and nu shu . My life course has been a normal one—daughter days, hair-pinning days, rice-and-salt days, and now sitting quietly.

    So here I am alone with my thoughts and this fan before me. When I pick it up, it's strange how light it feels in my hands, for it records so much joy and so much grief. I open it quickly and the sound each fold makes as it spreads reminds me of a fluttering heart. Memories tear across my eyes. These last forty years, I have read it so many times that it is memorized like a childhood song.

    I remember the day the intermediary handed it to me. My fingers trembled as I opened the folds. Back then a simple garland of leaves adorned the upper edge and only one message trickled down the first fold. At that time I didn't know many characters in nu shu , so my aunt read the words. “I understand there is a girl of good character and women's learning in your home. You and I are of the same year and the same day. Could we not be sames together?” I look now at the gentle wisps that compose those lines and see not only the girl that Snow Flower was but the woman she would become—persevering, straightforward, outward looking.

    My eyes graze along the other folds and I see our optimism, our joy, our mutual admiration, our promises to one another. I see how that simple garland grew to be an elaborate design of interwoven snow blossoms and lilies to symbolize our two lives together as a pair of laotong , old sames. I see the moon in the upper right hand corner shining down on us. We were to be like long vines with entwined roots, like trees that stand a thousand years, like a pair of mandarin ducks mated for life. On one fold, Snow Flower wrote, “We of good affection shall never sever our bond.” But on another fold I see the misunderstandings, the broken trust, and the final shutting of the door. For me, love was such a precious possession that I couldn't share it with anyone else and it eventually cut me away from the one person who was my same.

    I am still learning about love. I thought I understood it—not just mother love, but the love for one's parents, for one's husband, and for one's laotong . I've experienced the other types of love—pity love, respectful love, and gratitude love. But looking at our secret fan with its messages written between Snow Flower and me over many years, I see that I didn't value the most important love—deep-heart love.

    These last years I have copied down many autobiographies for women who never learned nu shu . I have listened to every sadness and complaint, every injustice and tragedy. I have chronicled the miserable lives of the poorly fated. I have heard it all and written it all down. But if I know much about women's stories, then I know almost nothing about men's, except that they usually involve a farmer fighting against nature, a soldier in battle, or a lone man on an interior quest. Looking at my own life, I see it draws elements from the stories of women and men. I am a lowly woman with the usual complaints, but inside I also waged something like a man's battle between my true nature and the person I should have been.

    I am writing these pages for those who reside in the afterworld. Peony, my grandson's wife, has promised to make sure that they are burned at my death so that my story will reach them before my spirit does. Let my words explain my actions to my ancestors, to my husband, but most of all to Snow Flower, before I greet them again.

     

    SAMPLE CHAPTER

    Chapter One

    Milk Years

    My name is Lily. I came into this world on the fifth day of the six month of the third year of Emperor Daoguang's reign. Puwei, my home village, is in Yongming County , the county of Everlasting Brightness . Most people who live here are descended from the Yao ethnic tribe. From the storytellers who visited Puwei when I was a girl, I learned that the Yao first arrived in this area twelve hundred years ago during the Tang dynasty, but most families came a century later, when they fled the Mongol armies who invaded the north. Although the people of our region have never been rich, we have rarely been so poor that women had to work in the fields.

    We were members of the Yi family line, one of the original Yao clans and the most common in the district. My father and uncle leased seven mou of land from a rich landowner who lived in the far west of the province. They cultivated that land with rice, cotton, taro, and kitchen crops. My family home was typical in the sense that it had two stories and faced south. A room upstairs was designated for women's gathering and for unmarried girls to sleep. Rooms for each family unit and a special room for our animals flanked the downstairs main room, where baskets filled with eggs or oranges and strings of drying chilies hung from the central beam to keep them safe from mice, chickens, or a roaming pig. We had a table and stools against one wall. A hearth where Mama and Aunt did the cooking occupied a corner on the opposite wall. We did not have windows in our main room, so we kept open the door to the alley outside our house for light and air in the warm months. The rest of our rooms were small, our floor was hard-packed earth, and, as I said, our animals lived with us.

      I've never thought much about whether I was happy or if I had fun as a child. I was a so-so girl who lived with a so-so family in a so-so village. I didn't know that there might be another way to live and I didn't worry about it either. But I remember the day I began to notice and think about what was around me. I had just turned five and felt as though I had crossed a big threshold. I woke up just before dawn with something like a tickle in my brain. That bit of irritation made me alert to everything I saw and experienced that day.

    I lay between Elder Sister and Third Sister. I glanced across the room to my cousin's bed. Beautiful Moon, who was my age, hadn't woken up yet, so I stayed still, waiting for my sisters to stir. I faced Elder Sister, who was four years older than I. Although we slept in the same bed, I didn't get to know her well until I had my feet bound and joined the women's chamber myself. I was glad I wasn't looking in Third Sister's direction. I always told myself that since she was a year younger than me she was too insignificant to think about. I don't think my sisters adored me either, but the indifference we showed each other was just a face we put on to mask our true desires. We each wanted Mama to notice us. We each vied for Baba's attention. We each hoped that we would spend time each day with Elder Brother, since as the first son he was the most precious person in our family. I did not feel that kind of jealousy with Beautiful Moon. We were good friends and happy that our lives would be linked together until we both married out.

    The four of us looked very similar to one another. We each had black hair that was cut short, we were very thin, and we were close in height. Otherwise, our distinguishing features were few. Elder Sister had a mole above her lip. Third Sister's hair was always tied up in little tufts, because she did not like Mama to comb it. Beautiful Moon had a pretty moon face, while my legs were sturdy from running and my arms strong from carrying my baby brother.

    “Girls!” Mama called up the stairs to us.

    That was enough to wake up the others and get us all out of bed. Elder Sister hurriedly got dressed and went downstairs. Beautiful Moon and I were slower, because we not only had to dress ourselves but Third Sister as well. Then together we went downstairs, where Aunt swept the floor, Uncle sang a morning song, Mama—with Second Brother swaddled on her back—poured the last of the water into the teapot to heat, and Elder Sister chopped scallions for the rice porridge we call congee. My sister gave me a tranquil look that I took to mean that this morning she had already earned the approval of my family and was safe for the rest of the day. I tucked away my resentment, not understanding that what I was saw as her self-satisfaction was something closer to the cheerless resignation that would settle on my sister after she married out.

    “Beautiful Moon! Lily! Come here! Come here!”

    My aunt greeted us this way each and every morning. We ran to her. Aunt kissed Beautiful Moon and patted my bottom affectionately. Then Uncle swooped in, swept up Beautiful Moon in his arms, and kissed her. After he set her back down, he winked at me and pinched my cheek.

    You know the old saying about beautiful people marrying beautiful people and talented people marrying talented people? That morning I concluded that Uncle and Aunt were two ugly people and therefore perfectly matched. Uncle, my father's younger brother, had bowlegs, a bald head, and a round, shiny face. Aunt was plump, and her teeth were like jagged stones protruding from a karst cave. Her bound feet were not so small, maybe fourteen centimeters long, twice the size of what mine eventually became. I'd heard wicked tongues in our village say that this was the reason Aunt—who was of healthy stock, with wide hips—could not carry a son to term. I'd never heard these kinds of reproaches in our home, not even from Uncle. To me, they had an ideal marriage: he was an affectionate rat and she was a dutiful ox. Every day they provided happiness around the hearth.

    My mother had yet to acknowledge that I was in the room. This is how it had been for as long as I could remember, but on that day I perceived and felt her disregard. Melancholy sank into me, whisking away the joy I had just felt with Aunt and Uncle, stunning me with its power. Then, just as quickly, the feeling disappeared, because Elder Brother, who was six years older than I was, called me to help him with his morning chores. Having been born in the year of the horse, it is in my nature to love the outdoors, but even more important I got to have Elder Brother completely to myself. I knew I was lucky and that my sisters would hold this against me, but I didn't care. When he talked to me or smiled at me I didn't feel invisible.

    We ran outside. Elder Bother hauled water up from the well and filled buckets for us to carry. We took them back to the house, then set out again to gather firewood. We made a pile, then Elder Brother loaded my arms with the smaller sticks. He scooped up the rest and we headed home. When we got there, I handed the sticks to Mama, hoping for her praise. It's not so easy for a little girl to lug a bucket of water or carry firewood after all. But Mama didn't say anything.

    Even now, after all these years, it is difficult for me to think about Mama and what I realized on that day. So clearly I saw that I was inconsequential to her. I was a third child, a second worthless girl, too little to waste time on until it looked like I would survive my milk years. She looked at me the way all mothers look at her daughters—as a temporary visitor who was another mouth to feed and a body to dress until I went to my husband's home. I was five, old enough to know I didn't deserve her attention, but suddenly I craved it. I longed for her to look at me and talk to me the way she did with Elder Brother. But even in that moment of my first truly deep desire, I was smart enough to know that Mama wouldn't want me to interrupt her during this busy time when so often she had scolded me for talking too loudly or had swatted at the air around me because I got in her way. Instead, I vowed to be like Elder Sister and help as quietly and carefully as I could.

    Grandmother tottered into the room. Her face looked like a dried plum, and her back bent so far forward that she and I saw eye to eye.

    “Help your grandmother,” Mama ordered. “See if she needs anything.”

    Even though I had just made a promise to myself, I hesitated. Grandmother's gums were sour and sticky in the mornings, and no one wanted to get near her. I sidled up to her, holding my breath, but she waved me away impatiently. I moved so quickly that I bumped into my father—the eleventh and most important person in our household.

    He didn't reprimand me or say anything to anyone else. As far as I knew, he wouldn't speak until this day was behind him. He sat down and waited to be served. I watched Mama closely as she wordlessly poured his tea. I may have been afraid that she would notice me during her morning routine, but she was even more mindful in her dealings with my father. He rarely hit my mother and he never took a concubine, but her caution with him made us all heedful.

    Aunt put bowls on the table and spooned out the congee , while Mama nursed the baby. After we ate, my father and uncle set out for the fields, and my mother, aunt, grandmother, and older sister went upstairs to the women's chamber. I wanted to go with Mama and the other women in our family, but I wasn't old enough. To make matters worse, I now had to share Elder Brother with my baby brother and Third Sister when we went back outside.

    I carried the baby on my back as we cut grass and foraged for roots for our pig. Third Sister followed us as best she could. She was a funny, ornery little thing. She acted spoiled, when the only ones who had a right to be spoiled were our brothers. She thought she was the most beloved in our family, although nothing showed her that this is true.

    Once we were done with our chores, our little foursome explored the village, going up and down the alleys between the houses until we came across some other girls jumping rope. My brother stopped, took the baby, and let me jump too. Then we went home for lunch—something simple, rice and vegetable only. Afterwards, Elder Brother left with the men and the rest of us went upstairs. Mama nursed the baby again, then he and Third Sister took their afternoon naps. Even at that age I enjoyed being in the women's chamber with my grandmother, aunt, sisters, cousin, and especially my mother. Mama and grandmother wove cloth, Beautiful Moon and I made balls of yarn, Aunt sat with brush and ink, carefully writing her secret characters, while Elder Sister waited for her four sworn sisters to arrive for an afternoon visit.

    Soon enough we heard the sound of four pairs of lily feet come quietly up the stairs. Elder Sister greeted each girl with a hug, then the five of them clustered together in a corner. They didn't like me intruding on their conversations, but I studied them nevertheless, knowing that I would be part of my own sworn sisterhood in another two years. The girls were all from Puwei, which meant that they could assemble often, and not just on special gathering days such as Catching Cool Breezes or the Birds Festival. The sisterhood had been formed when the girls turned seven. To cement the relationship, their fathers had each contributed twenty-five jin of rice, which was stored at our house. Later, when each girl married out, her portion of rice would be sold so that her sworn sisters could buy gifts for her. The last bit of rice would be sold on the occasion of the last sworn sister's marriage. That would mark the end of the sisterhood, since the girls would have all married out to distant villages where they would be too busy with their children and obeying their mothers-in-law to have time for old friendships.

    Even with her friends, Elder Sister did not attempt to grab attention. She placidly sat with the other girls as they embroidered and told funny stories. When their chatter and giggles grew loud, my mother sternly hushed them, and another new thought popped into my head: Mama never did that when my grandmother's late-life sworn sisters come to visit. After her children were grown, my grandmother had been invited to join a new group of five sworn sisters in Puwei. Only two of them plus my grandmother, all widows, were still alive and they visited each other at least once a week. They made each other laugh and together they shared bawdy jokes that we girls didn't understand. On those occasions, Mama was too afraid of her mother-in-law to dare to ask them to stop. Or maybe she was too busy…

    Mama ran out of yarn and stood up to get more. For a moment she stayed very still, staring pensively at nothing. I had a nearly uncontrollable desire to run into her arms and scream, “See me. See me. See me.” But I didn't. Mama's feet had been badly bound by her mother. Instead of golden lilies, Mama had ugly stumps. Instead of swaying when she walked, she balanced herself on a cane. If she put the cane aside, her four limbs went akimbo as she tried to maintain her balance. Mama was too unsteady on her feet for anyone ever to hug or kiss her.

    “Isn't it time for Beautiful Moon and Lily to go outside?” Aunt asked, cutting into my mother's daydream. “They could help Elder Brother with his chores.”

    “He doesn't need their help.”

    “I know,” Aunt admitted, “but it's a nice day—”

    “No,” Mama said sternly. “I don't like the girls wandering around the village when they should be working at their house learning.”

    But about this one thing my aunt was stubborn. She wanted us to know our alleys, to see what lay down them, to walk to the edge of our village and look out, knowing that soon enough all we would see was what we could glimpse from the lattice window of the women's chamber.

    “They have only these few months,” she reasoned. She left unsaid that soon our feet would be bound, our bones broken, our skin rotting. “Let them run while they can.”

    My mother was exhausted. She had five children, three of us five and under. She had the full responsibility of the household—doing all of the cleaning, washing, and repairing, cooking all of our meals, and keeping track of the household debts as best as she could. She had a higher status in the household than Aunt, but she could not fight every day for what she believed was proper behavior.

    “All right,” Mama sighed in resignation. “They can go.”

    I grasped Beautiful Moon's hand and we jumped up and down. Aunt quickly shooed us to the door before my mother could change her mind, while Elder Sister and her sworn sisters stared after us wistfully. My cousin and I ran downstairs and outside. Late afternoon was my favorite part of the day, when the air was warm and fragrant, and the cicadas hummed. We scurried down the alley until we found my brother taking the family water buffalo down to the river. He rode on the beast's broad shoulders, one leg tucked under him, the other bouncing on the animal's flanks. Beautiful Moon and I walked single file behind them through the village's maze of narrow alleys, the confusing tangle of which protected us from ghost spirits and bandits alike. We didn't see any adults—the men worked in the fields and the women stayed in their upstairs chambers behind lattice windows—but the alleys were occupied by other children and the village's animals—chickens, ducks, fat sows, and piglets squealing underfoot.

    We left the village proper and rambled along a raised narrow path paved with small stones. It was wide enough for people and palanquins but too small for oxen- or pony-pulled carts. We followed the path down to the river and stopped just before the swaying bridge that crossed the Xiao River . Beyond the bridge, the world opened before us with vast stretches of cultivated land. The sky spread above us as blue as the color of kingfisher feathers. In the far distance, we saw other villages—places I never thought I would go in my lifetime. Then we climbed down to the riverbank where the wind rustled through the reeds. I sat on a rock, took off my shoes, then waded into the shallows. More than seventy years have gone by and I still remember the feel of the mud between my toes, the rush of water over my feet, the cold against my skin. Beautiful Moon and I were free in a way that we would never again be in our lives. But I remember something else very distinctly from that day. From the second I woke up, I had seen my family in new ways and they had filled me with strange emotions—melancholy, sadness, jealousy, and a sense of injustice about many things that suddenly seemed unfair. I let the water wash all that away.

    That night after dinner, we sat outside, enjoying the cool evening air and watching Baba and Uncle smoke their long pipes. Everyone was tired. Mama nursed the baby a final time, trying to get him to fall asleep. She looked weary from the day's chores, which were still not completely done for her. I looped my arm over her shoulder to give her comfort.

    “Too hot for that,” she said, and gently pushed me away.

    Baba must have seen my disappointment, because he took me onto his lap. In the quiet darkness, I was precious to him. For that moment, I was like pearl in his hand.


     

    The Pillars of the Earth Discussion Questions

    Additional Discussion Questions for The Pillars of the Earth by Ken Follett

    1. What are your first impressions of Tom the builder? How if at all have your impressions changed when Tom leaves his newborn son alone out in the woods? Do you think he did the right thing? In your opinion what should he have done?

    2. We learn that Prior Philip decides to take in the abandoned baby. Why do you think he did this? Was it for selfish or unselfish reasons? Does Prior Philip come across as genuine or are you a bit skeptical of his motivations?

    3. When you first meet Waleran Bigod, what are your first impressions of him does he seem like a truly devout man or does he have other plans and/or motives? What intentions does Waleran Bigod have for Philip?

    4. William Hamleigh harbors feelings of hatred toward women-except towards his mother. Why do you suppose if he can respect his mother but not respect other women? Do you think his character is the result of his upbringing or is he just plain evil?

    5. Do you want to see Ellen and Tom unite? And when Ellen leaves Tom what do you think her real reasons are?

    6. Tom builder and Prior Philip both want nothing more than to build a Cathedral. What were the reasons that each character wanted to build a Cathedral? Would you say these reasons are selfish or altruistic?

    7. Richard has a financial dependence on Aliena. Would you say it is from necessity or from a lack of ambition on Richards part. Is he contributing in helping Aliena keep their promise to their father to reclaim Shiring? Who do you feel will achieve that goal?

    8. Jonathan is growing up. Do you think his staying at the monastery is the best thing for Jonathan? What do you think should happen?

    9. With the unfortunate death of Tom, it has a profound effect on Jonathan. Even though Philip has been his father figure. Do you think that Jonathan somehow knows that Tom is his father?

    10. After the raid on Kingsbridge, Aliena can no longer support Richard since she lost everything. After all the time that she supported her brother he tells her that he cannot support her. Do you see this choice as his only option? What other options would he have? Is he being selfish or realistic?

    11. Jack is 20 years old before he finally leans about his father. Ellen claims that she didn't tell Jack so that she could protect him from trying to avenge his father's death. Do you think that is plausible? Or do you think there are other reasons why she never told Jack? If so, what are they?

    12. Kingsbridge has been ruined before. Fortunately Richard arrives with news of the impending raid lead by William Hamleigh. However, it is Jack who devices the plan and ensures that protective walls are built in time. Who do you think deserves credit for saving Kingsbridge?

    13. Both religion and faith have been stripped down and rebuilt in order to justify the means to accomplish goals and ambitions for both William Hamleigh and Waleron Bigod. How has each man used religion and faith to get what they want? Is it God's will responsible for some of the happenings in the story or is it simply the work of man?

    14. Why do you think it is that Philip forgives Remigius? Do you think by Philip allowing Remigius back into the monastery was a dangerous move?

    15. It was surprising to see a different side of William Hamleigh in Part 6. Do you think he became any less evil in your eyes? Did he become more sympathetic?

     

     

    The Thirteenth Tale


    Buy the book "The Thirteenth Tale" from Amazon.com.


    I looked forward to reading this book at night. I would definitely recommend it as a book to read.

    You know the saying "You never know what goes on behind closed doors"; well this is exactly what this story is all about. The author slowly brings you into the intimate world of a well-to-do family's darkest secrets. The details are divulged slowly. They become more and more tragic and haunting as you step through the story. The characters are mysterious and eerie and yet you can't wait to find out more about them.

    I enjoyed the book to its end. The ending kept true to the mood of the story and was not over the top. The postscriptum? Not sure about that though. But I suppose the author had to close that part of the story because of all the references that were made throughout the book. I don't want to give anything away.

    I do think that this book would be a great story to tear apart in book club. Especially to figure out who knew what and when. This book also used a lot of symbolism to tell the story. It would be interesting to hear the varied interpretations and perspectives from other book club members. I think it would spark some intriguing conversation.

    Discussion Questions

    1. Much of the novel takes place in two grand estates -- Angelfield and then Miss Winter's. How are the houses reflections of their inhabitants?
    2. As the story unfolds, we learn that Margaret and Miss Winter are both twins. What else do they have in common?
    3. Margaret and her mother are bound by a singular loss -- the death of Margaret's twin sister. How has each woman dealt with this loss, and how has it affected her life? If her parents had told her the truth about her twin, would Margaret still be haunted?
    4. Books play a major role in this novel. Margaret, for example, sells books for a living. Miss Winter writes them. Most of the important action of the story takes place in libraries. There are stories within stories, all inextricably intertwined. Discuss the various roles of books, stories, and writing in this novel.
    5. Miss Winter asks Margaret if she'd like to hear a ghost story -- in fact, there seem to be several ghost stories weaving their way through. In what ways is The Thirteenth Tale a classic, gothic novel?
    6. Miss Winter frequently changes points of view from third to first person, from "they" to "we" to "I," in telling Margaret her story. The first time she uses "I" is in the recounting of Isabelle's death and Charlie's disappearance. What did you make of this shifting when Margaret points it out on page 204?
    7. Compare and contrast Margaret, Miss Winter, and Aurelius -- the three "ghosts" of the novel who are also each haunted by their pasts.
    8. It is a classic writer's axiom that a symbol must appear at least three times in a story so that the reader knows that you meant it as a symbol. In The Thirteenth Tale, the novel Jane Eyre appears several times. Discuss the appearances and allusions to Jane Eyre and how this novel echoes that one.
    9. The story shifts significantly after the death of Mrs. Dunne and John Digence. Adeline steps forward as intelligent, well-spoken, and confident -- the "girl in the mists" emerges. Did you believe this miraculous transformation? If not, what did you suspect was really going on?
    10. Dr. Clifton tells Margaret that she is "suffering from an ailment that afflicts ladies of romantic imagination" when he learns that she is an avid reader of novels such as Wuthering Heights, Jane Eyre, and Sense and Sensibility. What do you think he means by drawing such a parallel? What other parallels exist between The Thirteenth Tale and classic 19th century literature?
    11. When did you first suspect Miss Winter's true identity? Whether you knew or not, looking back, what clues did she give to Margaret (and what clues did the author give to you)?
    12. Margaret tells Aurelius that her mother preferred telling "weightless" stories in place of heavy ones, and that sometimes it's better "not to know." Do you agree or disagree?
    13. The title of this novel is taken from the title of Miss Winter's first book, Thirteen Tales of Change and Desperation, a collection of twelve stories with a mysterious thirteenth left out at the last minute before publication. How is this symbolic of the novel? What is the thirteenth tale?
    14. When do you think The Thirteenth Tale takes place? The narrator gives some hints, but never tells the exact date. Which aspects of the book gave you a sense of time, and which seemed timeless? Did the question of time affect your experience with the novel?

     

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  • More about "The Thirteenth Tale"

    Below you will find more details about the book, including,

    About the Author - Diane Setterfield

    I searched the web and it's seems as if the author's website (www.thethirteenthtale.com) is currently unavailable. I did however find an interview with Diane Setterfield if you are interested in finding out more about her and The Thirteenth Tale.

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